Kiriko SHIROBAYASHI
"Ruminations" Friday May 2, 2014 - Saturday May 31, 2014 |
Original prints Photobook Web-site | ||
C prints with Kiriko Shirobayashi's signature and edition notations |
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Copyright (c) Kiriko Shirobayashi All Rights Reserved
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As a child, if something bothered me I would draw it on a piece of paper and then erase it or tear it up. I didn’t need to show anyone, I just needed to get it out. This became my rumination. I hoped that if I slept and woke up, all would be reset to normal. I implored my mind a long time ago, but bad memories stayed. Sometimes they would recede, but they always returned, like waves that come and go. It is difficult to forget things when I try hard. Eventually I realized that I needed to absorb them and live with them somehow. I have been photographing chalkboards recently. It is enthralling - this erasable object that has had many people’s thoughts and ideas layered upon it. I, too, write what comes to my mind on chalkboards and then erase them, following the process of my childhood ruminations. Sometimes, when you come across a chalkboard, you can make out some words or letters which spark your imagination. This has a parallel to how people’s personal memories affect the way they look at landscape photos. Last winter, I traveled to the place where my father grew up. I had many chances to photograph there, however I wasn’t ready for a long time as the area carried many poignant memories. This time, gazing at the familiar view that is always in my memory, I found I was ready for it. That scenery that had remained unchanged all this time allowed me to realize the sad and sweet memories I associated with it are things of the past. By photographing these sceneries and seeing them as objects, I realized that it had become another rumination for me. Chalkboards and landscapes are related to each other though it may not be explicit. The rumination process behind them both is what connects these images; the idea of how things carry history with them, and how our perceptions are affected. These images are the records of this process.
SOLO EXHIBITIONS 2010 Tosei Gallery, Tokyo, Japan GROUP EXHIBITIONS 2012 Nancy Margolis Gallery, New York, NY, U.S.A 2010 Group Show, Dio Art Center, Saul, Korea 2009 Group Show, “Surface of Window” Kyoto International Center, Kyoto, Japan 2008 Kingwood Art Gallery, Houston TX, U.S.A 2007 “Wishing Tree” in Central Park supported by LMCC, New York NY, U.S.A 2006 “Less is More” Williams Tower Gallery, Houston, TX, U.S.A 2005 New York/New England/New Talent 2005, Hampton Gallery, University of Massachusetts Amherst, U.S.A 2004 Sara Gris Art Gallery, New York, NY, U.S.A 2003 Galeria Galou, Williamsburg-Brooklyn, NY Juror: Yucef Merhi, Mariano Del Rosario and Claire Weiss 2002 Grabado sin Fronteras/Printmaking Without Borders, The Mission Cultural Center, San Francisco,CA, Estamaperi’ a Quitena, Quito, Ecuador, National Museum of Belarus, Minsk, Belarus 2001 2000 BMG ENTERTAINMENT, NEUBERGER BERMAN, GETMUSIC & GEN ART "ANNOUNCE NATIONAL VISUAL ARTS SEARCH" BMG Entertainment, NY, U.S.A PUBLICATIONS 2013 Blur Magazine, Zagreb, Croatia 2009 Young SCMP Newspaper, Hong Kong, March 2008, Page E8 2008 Art Commentary, Yomiuri February 26, 2008 2007 The Knitting Circle Shows Its Chic, New York Times Thursday Style, July 12,2007 2002 2000 "Westhampton Exhibition Explodes Canal Prejudice" Southampton Press, AWARDS Lower Manhattan Cultural Council RESIDENCIES Onoma, Fiskars Finland 2007 COLLECTIONS BMG Entertainment
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